7: Desire and Disgust


I love food. I would give anything to be the type of person who, when presented with a tray of chargrilled fish eyes thinks, “ooh, great, thanks.” But I’m not.

I’m becoming fascinated with the idea of disgust — how it’s a visceral feeling within you. You don’t just have a distaste. Your body physically recoils, tears fill your eyes, your skin prickles, your throat closes up. That’s true disgust. It’s an amazing reaction. It used to save our lives.

I usually crave salty, fermented, aged, almost-but-not-quite rotten flavours. I love cheeses, cured meats, breads, beers, wines and ciders. I love spice and heat and bitterness. I told myself for so long that I was fussy; a picky eater. As I build up the tasting thesaurus inside my brain, I realise I was just putting cold hard facts before flavour. I was scared of reality, and the grimness of cooked things, rather than my desire for their tastes, and the journeys they would take me on.

So I ate a softshell crab this week. I liked it, but wanted more salt and a lot more heat. I’d tasted it, rather than thought about its body, soft and helpless in its molted state. It doesn’t sound like it, but that’s progress.

Other stuff:

I’ve just realised that pretty much all of the above are from American publications. I blame my sudden obsession with east coast immigrant-American cooking and food culture thanks to the film Always Be My Maybe and a fifth rewatch of Ugly Delicious.

My stuff:

  • If you didn’t see it already, I wrote about one of my favourite subjects for Ferment mag — how do you know the historically-brewed beer you’re drinking actually tastes like it would have done back then?

  • I’m working on a few articles at the moment, but nothing’s been posted up in a while. Check back next week for more updates, I guess.

  • I went to a photography class last week run by Matt Curtis (shoutout) and I really enjoyed learning about how looking at photos that inspire us can help us become better photographers. I love the idea that beauty can install itself in you, ready for you to use it at a later date.

ORIGINAL ILLUSTRATION © DANIEL GRAY-BARNETT
I looked through The Crane Wife for a perfect illustration, and it turns out,
this is the only one. I imagined the rest. That’s how good it is.